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・ Louis René Beres
・ Louis René Quentin de Richebourg de Champcenetz
・ Louis René Vialy
・ Louis Rhead
・ Louis Rhodes
・ Louis Riboulet
・ Louis Ricard
・ Louis Ricco
・ Louis Richardet
・ Louis Richards
・ Louis Riché
・ Louis Riddick
・ Louis Ridenour
・ Louis Riecke
・ Louis Riel
Louis Riel (comics)
・ Louis Riel (disambiguation)
・ Louis Riel (opera)
・ Louis Riel (sculpture)
・ Louis Riel School Division
・ Louis Riel, Sr.
・ Louis Rigolly
・ Louis Risacher
・ Louis Ritman
・ Louis Rizick Dominic
・ Louis Robert
・ Louis Robert (historian)
・ Louis Roberts
・ Louis Robertshaw
・ Louis Robichaud


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Louis Riel (comics) : ウィキペディア英語版
Louis Riel (comics)

|date = 2003
|origpublication =
|origisbn = 978-1-894937-89-4
|origissues = 1–10
|origdate = 1999–2003
|format = Limited series
|pages = 271
|publisher = Drawn and Quarterly
|creator = Chester Brown
|single_creator = Y
|US = n
|sort = Louis Riel
}}
''Louis Riel'' is a historical biography in comics by Canadian cartoonist Chester Brown, published as a book in 2003 after serializion in 1999–2003. The story deals with Métis rebel leader Louis Riel's antagonistic relationship with the newly established Canadian government. It begins shortly before the 1869 Red River Rebellion, and ends with Riel's 1885 hanging for high treason. The book explores Riel's possible schizophrenia—he believed God had named him Prophet of the New World, destined to lead the Métis people to freedom.
The work is noted for its emotional disengagement, its intentionally flat dialogue, and a minimalist drawing style inspired by that of Harold Gray's comic strip ''Little Orphan Annie''. Unusual for comics of the time, it includes a full scholarly apparatus: a foreword, index, bibliography, and end notes. The lengthy, hand-lettered appendix provides insight into Brown's creative process and biases and highlights where he changed historical facts to create a more engaging story, such as incorporating a conspiracy theory not widely accepted by historians. Brown became interested in the issue of property rights while researching the book, which led to a public change in his politics from anarchism to libertarianism.
Although Brown intended it to be published only in book form, his publisher had him first serialize ''Louis Riel'' as a comic book, which lasted ten issues. The series was the first comic book to receive a grant from the Canada Council for the Arts. It won a favourable ciritical reception and three Harvey Awards. The serialization sold poorly, but the book version was a surprise bestseller. Its success played a major part in gaining shelf space for serious graphic novels in mainstream North American bookstores.
==Overview==

Subtitled "A Comic-Strip Biography", ''Louis Riel'' looks at Métis rebel leader Louis Riel and his leadership in the Red River and North-West rebellions. It does not attempt a complete retelling of Riel's life—it omits long periods and ignores many aspects of his personality. Instead the focus is on his "antagonistic relationship with the Canadian government" from 1869 to 1885. The story comprises 241 pages of the 271-page book, and is supplemented with a complete scholarly apparatus: a foreword, bibliography, index, map section and extensive end notes. It has strong historiographical elements, detailing in the appendix the research done and choices made by the author in developing a story.
Brown grew up in the Canadian province of Quebec, where the majority speaks French, and where Riel is often considered a martyr. However Brown, who grew up speaking only English, said he was largely ignorant of Riel's story until he read Maggie Siggins' 1994 biography ''Louis Riel: A Life of Revolution''. Many of Brown's favourite topics are entwined in ''Louis Riel'': anti-authoritarianism, outsider religion, insanity, and accuracy and objectivity in nonfiction. A central incident in the book is an eight-panel sequence in which Riel has a revelatory experience on a hilltop in Washington, D.C. He experiences visions and talks to God, who declares him Prophet of the New World and instructs him to lead his people to freedom. On the cover of the book, however, we see Riel standing alone in the wilderness, staring into the sky, leaving open the question of whether what he witnessed was real.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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